Regarding Japanese economic activities, manufacturing in the “big factory” is no longer a panacea for human happiness.Arts and crafts in the “small office” are not efficient and profitable because these are just handicrafts.However, after 3.11, “another” parallel society, which admits “another” value and “another” lifestyle and won’t compete with the existing society, has come to light.

We need to seriously consider how the new economic system, which has come up in the “another” society, will be. Even step by step, we have to take some actions for this issue. “Re-conscious” is an insistent life-style.Japan has a scarcity of natural resources and there only a few places where we can execute human and industrial activities. On the other hand, there is this idea that the Japanese people take good care of their materials, belongings and local community in the natural environment since time immemorial.Japan has the best conditions for the development of a role model of sustainable society so called “miniature Earth”. In addition, the Japanese people have been trying to recycle things thoroughly; we call it “Mottainai” mind. We also have a great tradition, bright intelligence and advanced technology as shown by the landscaping of Edo with lush green. The carbon dioxide emission per GDP of Japan is especially fewest among major advanced countries and the utilization rate of public transportation of Japan is marking 47 %, which is far higher than other advanced countries.These traditions and advancement in technology should be exploited for the establishment of environment-friendly society as “Japan model” and the society should be widely known all over the world.The Arts and Crafts with Re-conscious should not be focused on finesse and intricacy; even a plain, uneven or incomplete face will be artistic and interesting.Not to get new materials but to think how to utilize and reuse belongings and remains; this is called “around resources”. This mind has a strong assertive presence not only for things but also food, living space and region.In the Kadamo region, where the virtual town is in the integrated and not administrative by on layer, there will be a recycle art activity with the theme of home electronics in regional industry. That activity forms a part of a practical education on sustainable economic society for kids such as environmental issue and recycle mind.The knowledge of natural environment, art and technology that the kids leaned from the activity will be the new power of the development of Japanese home electronics in the future. It will also act as an incubator in the business field of electric vehicle.In the Re-conscious mind, the purpose of art is work and commodity as well.Daniel Pink, author of the book “High Concept”, said that great creators and artists can lead the future (the “artists” does not mean in the narrow sense such as contemporary artists.).Originally, the value of existence of art is “to shake people’s heart and the world” with the adventurous mind and the expressions independent of manuals and schemes.Now the role of art is highly demanded as never before.We should shake ourselves free from conventional mind and we should paint a big picture with the aim of dramatic revolution.It is important that Japan will change its position drastically from the undeveloped country of art and charity to the big contributor for international issues such as economic issues and natural environment issues in the undeveloped countries with the human rights mind. It must be more important for enhancing Japanese position rather than focusing on COOL JAPAN.

 

現代社会は完全神話を信じ込んでいる。しかし、「完全なるもの」はこの世に存在せず、「完全」「不完全」の概念は連続的でスペクトラムな状態で存在している。また、哲学者のフランシス・ベイコンがこのように言っている。


There is no excellent beauty, that hath not some strangeness in the proportion.


西欧の伝統的な美意識には黄金比に起源するプロポーションの観念がある。しかし、それは反面、階調であるがゆえに退屈で魅力を感じない。むしろプロポーションが少し乱れたり、歪んだり、傾いたりしているところにこそ、本当の美がある、という考えだ。そうした考え方は瀬戸内晴美の伊藤野枝の生涯を描いた作品『美は乱調にあり』を思い出す。もともとは大正時代のアナキスト大杉栄の「美はただ乱調にある。諧調は偽りである」という言葉に由来しているフレーズである。

不細工・不揃いによる不完全性を積極的なアート表現のアプローチを試みることで現代社会の完全神話を払しょくし、私たちのリ・コンシャス=環境生態系アートの理念として、その底流には命の個をテーマとしています。そこに「魂」が存在すれば、それは全て「命」であるという考え方です。アートにおけるアールブリュットに関してもいろいろな解釈がありますが、「魂」が存在すれば、「アート」といことになります。が私たちの活動理念は源流はそこにあります。



























【プログラム】
12:00|受付開始
13:00|開会 主催者挨拶
13:15|基調講演
            都爺絵 工一
(アート小学校教授、JUDO主宰)

14:00|基調報告1
「環境生態系アートとは。」

15:00|基調報告2
不完全・不細工・不揃い
15:30|
事例発表
「コモディティーにおけるポップグラフィー・

 プログラム」


15:45|パネルディスカッション
「アートによる社会変革の可能性」

What’s re-CONSCIOUS?

      2013年8月10日(土)13:00~17:00


   フィジビリティーとサスティナビリティーのアート市場創造に向けて 

   リ・コンシャス=環境生態系アート

  

  1.           ホームエレクトロニクスカフェ2514 〒571-0048 大阪都カダモ地区(大阪府門真市)新橋町25−14

  2.                        無料

                               

          事前申込み制(定員12名)※申し込み方法については下記参照


  1. TEL 06-7163-9255(home-electronics cafe 2514) Eメールはこちら

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